In addition to bullfighting festivities, bullfighting involves the breeding and study of fighting bulls raised in the pastures where they live. Pastures represent a rural element of ecological wealth, support for the rural environment and biodiversity of the region, which, in addition to the fighting bull, contains another important number of species of flora and fauna. [180] The presence of the fighting bull in pastures is particularly important for the preservation of the latter, the bull uses the resources found in its environment rationally, while obtaining them by restricting access to farms so that the ecosystem of the dehesa is preserved. [181] [182] Written by Francisco Montes, Paquiro, and edited by Santos López Pelegrín, Abenamar,[171] the complete bullfight was published in 1836, i.e. The Art of Bullfighting in the Square, on Foot and on Horseback: written by the famous Lidiador Francisco Montes, and arranged and meticulously corrected by the publisher, was published in 1836. In the work, Paquiro organized a set of rules and laws for bullfighters that determined the final form of bullfighting, thus organizing how man and bull faced each other in the ring. With Paquiro, the Varilarguero disappears and the rules that will govern both the Picadores and the development of luck are completely established by bullfighting, as well as the third of the canes that have adapted to foot fighting; The Banderillero was founded as a collaborator of the Matador de Toros under his command, as Costillares had founded it with the gangs. Parallel to the development of these rules, Paquiro made a study on the fate of bullfighting, both those of the cape and those of crutches and banderillas, practiced in his time, so that the treatise on bullfighting was extended by Pepe-Hillo with his contributions. [172] [173] Polls, few and old on the speed at which consciousness is changing, indicate that in Mexico© 59% of the population is in favor of banning the so-called Fiesta Brava. This was reflected in the newspapers in 2019.
Another company Mitofski, ± praised 51.3% compared to this activity in 2011. Tired of the numbers, the anti-bullfighters say it time, enough so that Mexico©does not tolerate as much animal abuse, bullfighting, legal cockfighting and endless barbarism as they list. But in front of them, there are the fans, who do not lack arguments and who sit in the Arena Kunst. Two examples in this struggle. Alma Rosa Vázquez GÓMEZ, member of the First Plantation for the Abolition of Bullfighting in Mexico©, is the name of her organization: “The country is ready to stop bullfighting, it is cruelty to animals, the other arguments are no longer valid. There may be bullfighting artists, but no bullfighting art, the fact that there is a painting with bulls does not mean that bullfighting is art, says this woman, activist ± for years, one of the faces that can be seen in front of the square, with her megáfono and banners against each poster. And Maru Saavedra answers, going to the party for half a lifetime: “Man has made a pact with animals, with domestic workers, whom he protects and cares for and kills to eat: with savages©, so as not to destroy their habitat. And the bull is different, it does not fall into this category, it is not a pet, neither in the jungle nor on the farm. Face danger, that`s what you`re made for. Vázquez replies: “They did it that way, we were all born sweet.
What follows is an irreconcilable debate. Saavedra continues: “We don`t go to the square to see an animal die, but a fight that deepens its roots. It`s philosophical, mystical. Some people think that burgers are made in restaurants. There is evidence of bullfighting in Seville on the occasion of the visit made to the city of Enrique III in 1405; In Toledo, between 1431 and 1432, on the occasion of the return of John II. Bulls and tournaments were held in the Plaza de Zocodeñe, later known as Zocodover, these were the first bullfights in Toledo. Henry IV`s visit to Madrid in 1469 was also an occasion celebrated with bulls in the royal house of El Pardo, in the presence of the ambassadors of France and England. [71] [79] In 1492, bullfighting ceremonies were held on the occasion of the celebrations for the capture of Granada.
[80] The situation is even worse in Spain, where bullfighting is regulated and protected by three simple laws and two Constitutional Court rulings (one of which lifted the ban on bullfighting in Catalonia), as local media outlet El País shows. Colombian bullfighter Luis Bolivar during a performance at the La Santamaría bullring in Bogotá, February 18, 2018. (Photo credit: RAUL ARBOLEDA / AFP / Getty Images) Basic support is the correct training of new bullfighters. Bullfighting schools deserve special mention, which do not have the rank of official teaching center, but are currently the only centers dedicated to teaching the art of bullfighting. In the past, bullfighters were made with the package on their shoulders along the sidewalks of the streets and on the walls of small places of temptation. Today, they learn in bullfighting schools, where they are trained as people and future bullfighting professionals. The baroque society of the seventeenth century was mainly festive with a penchant for bullfighting, which was included in most social celebrations, often using the main squares and streets for the development of the same. Society, immersed in the religiosity of the time and the inequalities between the nobility and the people, found in bullfighting festivals a form of expression and escape, in which the danger associated with the risk of death provided the emotion and spectacle of the race of the bulls in the encierros, jumping with the Garokha. also by dealing with them. The most common activities were the jumping of the bull with pole, mentioned in the code of Justinian as contomonobolone, as well as the taurcatapsia or taurokathapsia, a clear precursor of the jump of the bull with the garrocha, a type of bullfight carried out in the eighteenth century in Spanish squares. [44] [45] The Dictionary of Authorities, published between 1726 and 1739, consisted of a total of six volumes and its prologue was commissioned by Juan Isidro Fajardo regidor of Madrid and official of the secretariat of the tax office. The realization of the entries of the letter Té del diccionario (sixth volume) was commissioned to Jerónimo Pardo when he did not execute the commission, the work was entrusted to José Cassani in 1728 and Lorenzo Folch Cardona, who left it in 1730.
Comments are closed.